L\u2019\u00e8re num\u00e9rique a chang\u00e9 le rapport de la soci\u00e9t\u00e9 \u00e0 l\u2019image. D\u2019aucuns consid\u00e9reraient qu\u2019elle a perdu toute valeur depuis qu\u2019elle se multiplie, se diffuse et s\u2019\u00e9change de mani\u00e8re pratiquement illimit\u00e9e. Par ailleurs, l\u2019emploi manipulateur de cet objet \u00e0 des fins malveillantes attise la m\u00e9fiance \u00e0 son \u00e9gard. Dans ces conditions, comment l\u00e9gitimer la peinture en tant que medium cr\u00e9ateur de nouvelles images ? Ceci d\u2019autant plus que cette peinture est elle-m\u00eame fr\u00e9quemment r\u00e9duite au simple \u00e9tat d\u2019image num\u00e9ris\u00e9e. C\u2019est un cadre de r\u00e9flexion sur ces th\u00e9matiques que propose Google images is a new religion<\/em>.
Inscrites dans un tel contexte, les \u0153uvres de Yannick Lambelet font \u00e9cho \u00e0 ces questionnements. La d\u00e9marche de l\u2019artiste consiste \u00e0 s\u2019approprier des \u00e9l\u00e9ments d\u2019images trouv\u00e9es sur internet et, dans une posture d\u00e9miurgique, de les soumettre \u00e0 une recontextualisation. Apparaissent ainsi sous nos yeux des sc\u00e8nes irr\u00e9elles qui, bien qu\u2019elles s\u00e9duisent, peuvent susciter le malaise.
L\u2019esth\u00e9tique plaisante se m\u00eale \u00e0 un insolent herm\u00e9tisme. Le refus du geste, l\u2019aspect l\u00e9ch\u00e9, presque graphique des toiles, frustre toute tentative d\u2019appr\u00e9hension d\u2019un quelconque contenu objectif. Pour le spectateur, il ne reste plus qu\u2019\u00e0 choisir entre s\u2019approprier l\u2019\u0153uvre en y int\u00e9grant son propre discours, ou refuser toute interpr\u00e9tation, ne consid\u00e9rant plus la toile que par sa seule pr\u00e9sence physique.
Cette d\u00e9marche d\u00e9routante, pourtant, loin de revendiquer l\u2019irr\u00e9m\u00e9diable corruption de l\u2019image, r\u00e9v\u00e8le plut\u00f4t son caract\u00e8re r\u00e9solument versatile. C\u2019est l\u2019universalit\u00e9 de cet objet de travail qui est mise en sc\u00e8ne. Yannick Lambelet semble en outre r\u00e9cuser l\u2019existence de tout contenu onto- logique \u00e0 l\u2019image, r\u00e9duisant celle-ci \u00e0 l\u2019\u00e9tat d\u2019un vecteur porteur d\u2019une infinit\u00e9 de potentialit\u00e9s interpr\u00e9tatives. \u00c0 nous, d\u00e8s lors, de prendre en charge le contenu de ses \u0153uvres, de nous laisser s\u00e9duire par la composition de la toile.
A l\u2019\u00e8re de la num\u00e9risation, l\u2019image, plus que jamais, devient le medium par excellence. Google images is a new religion.<\/em> <\/p>\n\n\n\n
\u00ab\u00a0In a society where new media monopolize the attention, painting must adapt to an environment where emotions are prohibited, and it becomes immortal. Google images is a new religion. The act of painting is purified. The intention is digitized. Painting loses its materiality and becomes an image with digitalized soul. The deluge was purification.<\/em> 07 mars 2013<\/strong> Vernissage 21 mars 2013<\/strong> Conf\u00e9rence 24 avril 2013<\/strong> Visite Guid\u00e9e 24 avril 2013<\/strong> Visite Guid\u00e9e. 22-24 aout 2013<\/strong> Artiste : Yannick Lambelet Commissariat : Simon W\u00fcrsten Au fil d\u2019un dialogue d\u2019environ deux ans se sont pos\u00e9s les jalons d\u2019un projet dont cette premi\u00e8re exposition monographique est le r\u00e9sultat.…<\/p>\n","protected":false},"author":1001278,"featured_media":1153,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"template-full-width.php","format":"standard","meta":{"_seopress_robots_primary_cat":"","_seopress_titles_title":"","_seopress_titles_desc":"","_seopress_robots_index":"","footnotes":""},"categories":[1],"tags":[],"class_list":{"0":"post-833","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-expositions"},"_links":{"self":[{"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/posts\/833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/users\/1001278"}],"replies":[{"embeddable":true,"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/comments?post=833"}],"version-history":[{"count":0,"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/posts\/833\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/media\/1153"}],"wp:attachment":[{"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/media?parent=833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/categories?post=833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.asso-unil.ch\/lecabanon\/wp-json\/wp\/v2\/tags?post=833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
I consider my work as pictorial cannibalism. An image eating other images in order to create a new one. Without any emotion, like a zombie infection. A useless gesture, to give birth to another image, in a world already saturated with images. Some claimed the death of painting, they were right, maybe. But it resurrected like zombies, stronger and unstoppable.<\/em>
I see my paintings as prostitutes. White cube is the new whorehouse, where we buy the touch, sear- ching for a new Scream. Bukowski said that beauty is a burden that ugliness doesn\u2019t know. I make up my prostitutes, in the superficiality of seduction. Focu- sing on appearances, we no longer discern the heart to which emotions belong. Acrylic is my lipstick.<\/em>
In the end, my work is just a unicorn\u2019s rainbow facial cumshot, wasting its time until the end of the world.<\/em>\u00a0\u00bb Yannick Lambelet<\/p>\n\n\n\n
Avec une performance de Jaz Ayling<\/p>\n\n\n\n
\u00ab\u00a0Yannick Lambelet et Jacques Bonnard : une proposition rh\u00e9torique, sans p\u00e9danterie\u00a0\u00bb, avec l’intervention de Yannick Lambelet et Jacques Bonnard. <\/p>\n\n\n\n
Par le commissaire, Simon W\u00fcrsten<\/p>\n\n\n\n
Par Jeanne-Salom\u00e9e Rochat, Co-publisher & creative director de Sang Bleu.
Un \u00e9v\u00e9nement en collaboration avec Sang Bleu et Novembre. <\/p>\n\n\n\n
L\u2019exposition s\u2019inscrit dans le cadre du colloque ASHHA\/VKKS divers \u00e9v\u00e9nements au programme.<\/p>\n\n\n\n![\"\"](\"https:\/\/www.asso-unil.ch\/lecabanon\/files\/2023\/03\/IMG_0759-2-1024x683.jpg\")
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